R E P E R T O I R E

Piano Concertos

  • Twenty-two-year-old pianist Tähe-Lee Liiv possesses a remarkable piano concerto repertoire. Her repertoire includes over 30 concertos, ranging from standard masterpieces to unique and lesser-known works, including the hidden gem Piano Concerto by Ester Mägi (1922–2021), the electrifying Silk Road Piano Concerto by Fazıl Say (b. 1970), and the profoundly moving Lamentate by Arvo Pärt (b. 1935).

    She has appeared as a soloist in over 50 performances with a wide range of orchestras, including the Estonian National Symphony Orchestra, Tallinn Chamber Orchestra, Vanemuine Symphony Orchestra, Vaasa City Orchestra, Nordic Symphony Orchestra, Israel Camerata Orchestra, Kremerata Baltica, Järvi Festival Youth Orchestra, Pärnu City Orchestra, and New York Camerata, among others.
    She has collaborated with distinguished conductors such as Risto Joost, Olari Elts, Jüri Alperten, Kaspar Mänd, Andres Kaljuste, Mihhail Gerts, Anu Tali, Valle-Rasmus Roots, Neeme Ots, Henri Christofer Aavik, Arvo Volmer, Richard Owen, and Simone Menezes.

Bach, Johann Sebastian (1685–1750)

Concerto No. 1 in D minor, BWV 1052 (c. 1738)
Concerto No. 3 in D major, BWV 1054 (c. 1738)
Concerto No. 5 in F minor, BWV 1056 (c. 1738)

Bach, Johann Christian (1735–1782)

Piano Concerto in B-flat major, Op. 13 No. 4 (c. 1770)

Bartók, Béla (1881–1945)

Piano Concerto No. 3, Sz. 119, BB 127 (1945)

Beethoven, Ludwig van (1770–1827)

Piano Concerto No. 1 in C major, Op. 15 (1795)
Piano Concerto No. 4 in G major, Op. 58 (1806)

Chopin, Frédéric (1810–1849)

Piano Concerto No. 1 in E minor, Op. 11 (1830)
Piano Concerto No. 2 in F minor, Op. 21 (1829–1830)
Rondo à la Krakowiak in F major, Op. 14 (1828)
Andante spianato et Grande Polonaise brillante, Op. 22 (1830–1834)

Farajianhamedani, Alireza (b. 1990s)

Piano Concertino “E così, continua la storia…” (2024)

Gershwin, George (1898–1937)

Rhapsody in Blue (1924)

Grieg, Edvard (1843–1907)

Piano Concerto in A minor, Op. 16 (1868)

Haydn, Joseph (1732–1809)

Piano Concerto in D major, Hob. XVIII:11 (1782)

Laur, Risto (b. 1972)

The Girl and the Dragon, Piano Concerto (c. 2012–2013)

Liik, Marianna (b. 1990s)

Unfolding, Piano Concerto for piano and chamber orchestra (2025)

Mägi, Ester (1922–2021)

Piano Concerto in F-sharp minor (1953)

Mendelssohn, Felix (1809–1847)

Piano Concerto No. 1 in G minor, Op. 25 (1831)

Mozart, Wolfgang Amadeus (1756–1791)

Piano Concerto No. 8 in C major, K. 246 (1776)
Piano Concerto No. 12 in A major, K. 414 (1782)
Piano Concerto No. 23 in A major, K. 488 (1786)
Piano Concerto No. 27 in B-flat major, K. 595 (1791)

Pärt, Arvo (b. 1935)

Piano Concerto Lamentate (2002)

Rachmaninov, Sergei (1873–1943)

Piano Concerto No. 2 in C minor, Op. 18 (1901)

Say, Fazıl (b. 1970)

Piano Concerto “Silk Road” (2013)

Schumann, Robert (1810–1856)

Piano Concerto in A minor, Op. 54 (1845)

Tchaikovsky, Pyotr Ilyich (1840–1893)

Piano Concerto No. 1 in B-flat minor, Op. 23 (1875)

Concertos / Concertante Works for Multiple Soloists

Mägi, Ester (1922–2021)

Variations for Clarinet, Piano, and Chamber Orchestra (1972)

Mendelssohn, Felix (1809–1847)

Double Concerto in D minor for Violin, Piano, and Orchestra (1823)

Saint-Saëns, Camille (1835–1921)

Le Carnaval des animaux (1886)

Tamberg, Eino (1930–2010)

Concerto Grosso (1956)

Example programs

  • Tähe-Lee has an extensive standard repertoire spanning the entire piano literature, from Baroque to contemporary music. In recent years, she has focused particularly on Nordic composers. Her debut CD featured the complete piano works of Arvo Pärt, and her second CD, set to be released in summer 2026, will showcase Finnish piano music, including works by Rautavaara, Sibelius, and Lindberg.

    In the 2024-2025 season she achieved great success in the series “Building Bridges by Sir András Schiff” with a Nordic program featuring Pärt, Sibelius, Rautavaara, and Grieg.

    In celebration of Arvo Pärt’s 90th birthday in the fall of 2025, she presented a highly acclaimed program pairing the music of Pärt and Bach at several venues, reflecting her special connection to Bach’s music as a student of Sir András Schiff.

    She is also a dedicated advocate of Ester Mägi’s music and has a strong commitment to promoting works by female composers, including Ester Mägi, Clara Schumann, and Mel Bonis. Chosen personally by Mägi, she has performed all of her works for piano and orchestra. In July 2026, Tähe-Lee will perform Mel Bonis’s music at Musikdorf Ernen.

    In the current season (2025-2026), Tähe-Lee presents a project of three concert programs: “Mostly Mozart”, “Mostly Mendelssohn”, and “Mostly Bach”, the latter featuring three Bach keyboard concertos performed with the Tallinn Chamber Orchestra in September 2026.

    Tähe-Lee has also been active in contemporary music, premiering works and collaborating closely with composers such as Arvo Pärt, Toivo Tulev, Marianna Liik, and Jörg Widmann. Her performance of Widmann’s Toccata went viral on social media, garnering millions of views.

    In addition, she is an accomplished chamber musician, collaborating with distinguished ensembles and artists, including the Tallinn String Quartet, Alkyona Quartet, Kremerata Lettonica, violinists Hans Christian Aavik, Angela Chan, and Gidon Kremer, as well as cellists Willard Carter and Marcel Johannes Kits.

Nordic Program (Pärt, Sibelius, Grieg, Rautavaara)

Longer version:

Arvo Pärt: Partita (1958) ~7 minutes
Jean Sibelius: 10 Pieces, Op. 24 (1903) ~35 minutes

…

Arvo Pärt:

Für Alina (1976) ~2 minutes
Variations for the Healing of Arinushka (1977) ~4 minutes
Für Anna Maria (2006) ~1 minutes

Edvard Grieg: Ballade in the Form of Variations on a Norwegian Folk Song in G minor, Op. 24 (1875) ~19 minutes

Einojuhani Rautavaara: Études, Op. 42 (1969) ~13 minutes

Total duration: ~81 minutes

Shorter version:

Arvo Pärt: Partita (1958) — 7 min
Jean Sibelius: Selection from 10 Pieces, Op. 24 (1903) — 20 min
Edvard Grieg: Ballade in the Form of Variations on a Norwegian Folk Song in G minor, Op. 24 (1875) — 18 min
Einojuhani Rautavaara: Études, Op. 42 (1969) — 13 min

Total duration: ~60 minutes

  • Performed in Building Bridges Season 2024–2025:

    Berlin Konzerthaus
    Vienna Ehrbar Saal
    Brussels Flagey
    (among other places)

    Program Note

    This recital traces a poetic arc through Nordic piano music, spanning late Romanticism to 20th-century modernism, and culminating in the meditative clarity of Arvo Pärt’s mature style. Together, these works reveal a shared aesthetic of introspection, nature-inspired imagery, and spiritual depth.

    Arvo Pärt: Partita (1958) opens the program with a glimpse into the composer’s early voice. Written before his famous tintinnabuli style, the Partita blends Baroque formal influence with modern harmonic language, already showing Pärt’s interest in clarity, structure, and restraint.

    Jean Sibelius: Selections from 10 Pieces, Op. 24 (1903) present a set of expressive miniatures that range from intimate lyricism to bold, dramatic gestures. Though best known for his symphonic works, Sibelius’s piano music reveals a refined sense of atmosphere and character, often evoking the Nordic landscape in compressed, poetic form.

    Edvard Grieg: Ballade in the Form of Variations on a Norwegian Folk Song, Op. 24 (1875) stands as one of the masterpieces of the Romantic piano repertoire. Built on a somber folk melody, the work unfolds as a powerful sequence of variations, moving between introspection and virtuosity while affirming Grieg’s deep connection to Norwegian musical heritage.

    Einojuhani Rautavaara: Études, Op. 42 (1969) explore the piano’s sonic and expressive extremes. These études go beyond technical display, offering a rich palette of colors, rhythms, and textures that reflect Rautavaara’s distinctive blend of modernism and mysticism.

    The second half centers on Arvo Pärt’s mature piano works—Für Alina, Variations for the Healing of Arinushka, and Für Anna Maria. These intimate pieces exemplify his tintinnabuli style, where simplicity, silence, and spiritual focus create an atmosphere of quiet contemplation and timelessness.

    Pianist Tähe-Lee Liiv is recognized for her thoughtful interpretations of contemporary and Nordic repertoire. She has recorded all of Arvo Pärt’s piano works for ERP on her debut album (2023) and will record an album of Finnish piano music for Da Vinci Classics, scheduled for release in summer 2026.

    Flexibility / Adaptation Notes

    The Nordic theme can be maintained while varying individual pieces: Alternate Sibelius or Grieg works (e.g., a different Sibelius opus or a Grieg Sonata instead of the Ballade); replace Rautavaara Études with Lindberg Études.

Pärt and Bach

Arvo Pärt (b. 1935):

Für Alina (1976) ~2 minutes
Variations for the Healing of Arinushka (1977) ~4 minutes
Für Anna Maria (2006) ~1 minute

Johann Sebastian Bach (1685–1750):

Partita No. 1 in B-flat Major, BWV 825 ~18 minutes
(intermission)

Arvo Pärt:

Four Easy Dances (1959) ~6 minutes
Puss in Boots
Little Red Riding Hood and the Wolf
Butterflies
Dance of the Ducklings

Johann Sebastian Bach:

English Suite No. 2 in A Minor, BWV 807 ~20 minutes

Arvo Pärt:

Partita (1958) ~7 minutes

Total duration: ~58 minutes

  • Performed in season 2025-2026:

    In Festivals dedicated to Pärt 90

    Flagey, Brussels
    Berlin
    Chemnitz
    (among others)

    Program Note

    Arvo Pärt and Johann Sebastian Bach form a natural and compelling pairing. Both composers share a deep connection to religion, yet their music is equally capable of playfulness, clarity, and dance-like vitality. Pärt himself openly acknowledged Bach’s influence, most famously by quoting the C major Prelude from The Well-Tempered Clavier, Book I in his work Credo.

    A central unifying theme of this program is the partita. Bach’s Partita No. 1 stands alongside Pärt’s early Partita, an atonal work strongly influenced by Baroque forms and gestures. Though composed centuries apart, both works reveal a shared architectural clarity and a fascination with dance-derived movements.

    Dance is another key thread running through the program. Bach’s Partita and English Suite are rooted in Baroque dance forms, while Pärt’s early Four Easy Dances offer a charming, imaginative response from the 20th century. These dances also form a subtle link to Pärt’s later tintinnabuli-style piano works—Für Alina, Für Anna Maria, and Variations for the Healing of Arinushka. All are inspired by children and serve as intimate, distilled examples of Pärt’s mature musical language.

    This dialogue across centuries is further embodied by the performer. Tähe-Lee Liiv’s debut CD, released on ERP, presents the complete piano works of Arvo Pärt and has received a highly praised review from Gramophone magazine. Her close engagement with Bach’s music is shaped by a special artistic lineage as a student of Sir András Schiff.

    Together, these works create a dialogue across time, revealing shared spiritual depth, formal elegance, and a joyful sense of play.

    Flexibility / Adaptation Notes

    It is possible to switch or add works by Bach or Pärt. For example, another English Suite or Partita by Bach, or other piano works by Arvo Pärt, may be performed, as Tähe-Lee has played all of Pärt’s piano works.

Femmes de légende (Clara Schumann, Mel Bonis, Ester Mägi)

Clara Schumann (1819–1896):

Variations on a Theme by Robert Schumann, Op. 20 (1853) ~10 minutes

Mel Bonis (1858–1937):

Femmes de légende (1909-1925) ~24 minutes -
Mélisande
Desdémona
Ophélie
Viviane
Phœbé
Salomé
Omphale

Ester Mägi (1922–2021):

Lapland Yoiks (1987) ~15 minutes

Total duration: ~49 minutes

  • Program Note

    This program celebrates three remarkable female composers whose music deserves wider recognition. Through lyricism, myth, and cultural memory, these works reveal a powerful lineage of musical imagination, often overlooked in standard concert repertoire.

    Clara Schumann’s Variations are a deeply expressive conversation with Robert Schumann’s musical world. More than a tribute, the work demonstrates Clara’s distinctive harmonic voice, formal mastery, and emotional depth, combining lyricism and virtuosic brilliance.

    Mel Bonis, a contemporary and classmate of Claude Debussy, was a pioneering figure in French late-Romantic music. Femmes de légende presents seven portraits of legendary women, from the fragile innocence of Ophélie to the dramatic intensity of Salomé. Rich in color, atmosphere, and harmonic imagination, these pieces reveal Bonis’s unique artistic voice.

    Ester Mägi, Estonia’s “First Lady of Music,” drew inspiration from ancient song traditions in Lapland Yoiks, creating work that evoke vast landscapes, ritual chant, and elemental forces. Her music combines folk roots with modern expression. Mägi personally selected the 17-year-old Tähe-Lee as a soloist for her Variations for Piano, Clarinet, and Orchestra, which she has performed multiple times.

    Flexibility / Adaptation Notes

    This program allows for adaptability in repertoire selection and pairing, offering several programming possibilities and flexibility in duration and thematic connections, while maintaining artistic coherence and preserving the focus on three remarkable female composers whose music remains underrepresented in standard concert repertoire.

    Clara & Robert Schumann: Clara Schumann’s Variations on a Theme by Robert Schumann, Op. 20 can be paired with works by Robert Schumann, such as the Fantaisie or Humoreske, to highlight the dialogue between their musical voices.
    Mel Bonis & Claude Debussy: Mel Bonis’s Femmes de légende can be performed in its entirety or as selected movements, allowing flexibility in concert length or programming focus. These pieces can also be paired with Debussy’s Images, emphasizing historical and stylistic connections between Bonis and her contemporaries in French late-Romantic music. The idea to highlight Bonis’s music alongside Debussy originated at the Musikdorf Ernen Festival, where Tähe-Lee will perform a recital in July 2026 featuring both composers.
    Ester Mägi & Arvo Pärt: Ester Mägi’s Lapland Yoiks can be paired with works by Arvo Pärt, highlighting her influence as Pärt’s theory teacher. Tähe-Lee’s debut ERP CD of Pärt’s complete piano works received high praise in Gramophone.

    Program is partly in the repertoire of Tähe-Lee’s Recital in Musikdorf Ernen Festival in July 2026.

Solo

Baroque (1600–1750)

Johann Sebastian Bach (1685–1750)

  • Invention in D minor, BWV 775

  • Invention in E-flat major, BWV 776

  • Invention in E major, BWV 777

  • Sinfonia No. 8, BWV 794 in F major

  • Prelude and Fugue in C minor, WTK I, BWV 847

  • Prelude and Fugue in C-sharp major, WTK I, BWV 848

  • Prelude and Fugue in F minor, WTK I, BWV 857

  • Prelude and Fugue in C-sharp minor, WTK II, BWV 873

  • Prelude and Fugue in D minor, WTK II, BWV 875

  • Prelude and Fugue in E-flat major, WTK II, BWV 876

  • Prelude and Fugue in G minor, WTK II, BWV 885

  • French Suite No. 2 in C minor, BWV 813

  • English Suite No. 2 in A minor, BWV 807

  • Partita No. 1 in B-flat major, BWV 825

Domenico Scarlatti (1685–1757)

  • Sonata K. 101 in A major

  • Sonata K. 208 in A major

  • Sonata K. 427 in G major

Bach-Siloti (1865–1932)

  • Prelude – 1910 (arranged by Siloti from Bach's Prelude in C major, BWV 846)

Classical (1750–1820)

Joseph Haydn (1732–1809)

  • Sonata Hob. XVI:13 in E major

  • Sonata Hob. XVI:19 in D major

  • Sonata Hob. XVI:20 in C minor

  • Sonata Hob. XVI:50 in C major

Wolfgang Amadeus Mozart (1756–1791)

  • Sonata in G major, K. 283

  • Sonata in B-flat major, K. 333

  • Sonata in D major, K. 576

  • Twelve Variations in C major on the French Song "Ah, vous dirai-je Maman", K. 265

  • Fantasy in D minor, K. 397

  • Rondo in D major, K. 485

  • Three Minuets from 11 Minuets, K. 176 (Nos. 1, 10/15, 11/16)

Ludwig van Beethoven (1770–1827)

  • Sonata No. 10 in G major, Op. 14 No. 2

  • Sonata No. 15 in D major, Op. 28 "Pastoral"

  • Sonata No. 21 in C major, Op. 53 "Waldstein"

  • Sonata No. 27 in E minor, Op. 90

  • 6 Variations on "Nel cor più non mi sento" for Piano, WoO 70

  • 9 Variations on the Theme "Quanto è bello l’amor contadino" for Piano, WoO 69

Romantic (1800–1910)

Felix Mendelssohn (1809–1847)

  • Variations sérieuses, Op. 54

Franz Schubert (1797–1828)

  • Impromptu Op. 90 No. 2 in E-flat major, D. 899

  • Sonata in A minor, D. 784

Robert Schumann (1810–1856)

  • Kinderszenen: Of Foreign Lands and People, Op. 15, Nos. 10, 11

  • Fantasy in C major, Op. 17

Clara Schumann (1819–1896)

  • Mazurka from Soirées musicales, Op. 6, G minor

  • Variations on the Theme of Robert Schumann, Op. 20

Frédéric Chopin (1810–1849)

  • Études Op. 10 No. 8 in F major, No. 12 in C minor

  • Études Op. 25

  • Étude No. 2 in A-flat major from Trois nouvelles études

  • Mazurkas Op. 41

  • Nocturnes Op. 72 No. 1 in E minor, Op. 27 No. 1 in C-sharp minor, Op. Posthumous in C-sharp minor

  • Valse Op. 42 in A-flat major

  • Preludes No. 9 in E major, No. 10 in C-sharp minor, No. 11 in B major, Op. 28

  • Polonaise in G minor, B1, KK IIa No. 1 (Posthumous)

  • Polonaise Op. 71 No. 1 in D minor

  • Andante Spianato and Grande Polonaise Op. 22 in E-flat major

  • Fantaisie-Impromptu Op. 66 in C-sharp minor

  • Ballade No. 3 in A-flat major, Op. 47

  • Scherzo No. 2 in B-flat minor, Op. 31

  • Sonata No. 3 in B minor, Op. 58

Franz Liszt (1811–1886)

  • Étude Op. 1 No. 1 in A-flat major, Op. 1 No. 4 in C minor

  • Consolation No. 6 in E major, S. 172

  • Concert Étude in F minor, S. 144

  • Transcendental Étude No. 4 in D minor "Mazeppa", S. 139

  • Transcendental Étude No. 12 in B-flat major "Chasse Neige", S. 139

Theodor Leschetizky (1830–1915)

  • Consolation (1855)

Moritz Moszkowski (1854–1925)

  • Études de Virtuosité Op. 72 No. 2 in E major, No. 4 in F major

Edvard Grieg (1843–1907)

  • Ballade in G minor, Op. 24

  • Sonata in E minor, Op. 7

Pyotr Tchaikovsky (1840–1893)

  • "May" from The Seasons, Op. 37a

Sergei Rachmaninov (1873–1943)

  • Vocalise (arr. Zoltan Kocsis), Op. 34 No. 14 (1915)

  • Variation No. 18 from Rhapsody on a Theme of Paganini, Op. 43 (1934)

French / Impressionistic (1870–1920)

Eric Satie (1866–1925)

  • Gnossienne No. 3 (1890)

Mel Bonis (1858–1937)

  • Mélisande, Op. 109 (1898), Desdémona, Op. 101 (1913), Ophélie, Op. 165/1 from “Femmes de légende”

Claude Debussy (1862–1918)

  • Untitled Piece L. 133

  • Clair de lune (Moonlight), L. 75

  • The Girl with the Flaxen Hair, L. 118

  • Snow is Dancing, L. 122

  • Images I, L. 110

Maurice Ravel (1875–1937)

  • Mirrors (Miroirs), M. 43 (1904)

20th Century (1900–2000 by countries)

Russian

Sergey Prokofiev (1891–1953)

  • Toccata in D minor, Op. 11 (1912)

  • Sonata No. 2 in D minor, Op. 14 (1912)

Alexander Scriabin (1872–1915)

  • Preludes Nos. 4, 5, Op. 11 (1897)

  • Étude Op. 8 No. 12 in D-sharp minor (1894)

  • Sonata No. 2 in G-sharp minor, Op. 19 "Sonata-Fantasy" (1898)

Dmitri Shostakovich (1906–1975)

  • "Polka" from the ballet Golden Age (1930)

Rodion Shchedrin (1932–2025)

  • Humoresque (1957)

Vladimir Horowitz (1903–1989)

  • Carmen Variations (1941)

Spanish

Xavier Montsalvatge (1912–2002)

  • Sonatine pour Yvette (1962)

Italian

Guido Alberto Fano (1875–1961)

  • “Mestizia” from the cycle Rimembranze (1892)

Hungarian

György Ligeti (1923–2006)

  • Étude No. 8 “Fem” (1989)

Czech

Leoš Janáček (1854–1928)

  • Sonata “From the streets” (Piano Sonata 1.X.1905) (1905)

German

Helmut Lachenmann (b. 1935)

  • Guero (1970)

British

George Benjamin (b. 1960)

  • Meditation on Haydn’s Name (1982)

Finnish

Einojuhani Rautavaara (1928–2016)

  • Complete 6 Études Op. 42 (1969)

Jean Sibelius (1865–1957)

  • Impromptus, Op. 5 (1893)

  • 10 Pieces for Piano, Op. 24 (1895–1903)

  • Song of My Heart (Sydämeni laulu) (1898)

Latvian

Joseps Vītols (1863–1948)

  • Prelude Op. 22 No. 2 (1896)

  • Waltz-Caprice Op. 24 (1897)

  • Lullaby Op. 18 No. 1 (1895)

Lithuanian

Mikalojus Konstantinas Čiurlionis (1875–1911)

  • Prelude in B minor, VL 182a (1902)

  • Prelude in D minor, VL 344 (1908–1909)

  • Little Sonata (VL 269/271)

Estonian

Mart Saar (1882–1963)

  • Bagatelle in B major [Bagatell h-moll] (1922)

  • Folk Tune in C major from 19 Estonian Folk Tunes for Piano [19 Eesti rahvaviisi klaverile] (1910–1913)

Heino Eller (1887–1970)

  • Homeland Tune in E major (Kodumaine viis) (1918)

  • Méditation (1936)

Ester Mägi (1922–2021)

  • Junipers of Kassari [Kassari kadakad] (1994)

Arvo Pärt (b. 1935)

  • Complete piano music, including:

    • Sonatina No. 1, Op. 1 (1958)

    • Partita, Op. 2 (1958)

    • Four Easy Dances [Neli lihtsat tantsu] (1959)

    • Sonatina No. 2, Op. 1 (1959)

    • Mommy's Kiss [Memme musi] (1968)

    • Diagrams, Op. 11 [Diagrammid] (1964)

    • Für Alina [Alinale] (1976)

    • Variations for the Healing of Arinushka [Variatsioonid Arinuška tervekssaamise puhul] (1977)

    • Ukuaru Waltz [Ukuaru valss] (1973/2010)

    • Für Anna Maria [Anna Mariale] (2006)

Rene Eespere (b. 1953)

  • Ritornello in F major from Eight Ritornellos (1978–1982)

Antti Marguste (b. 1975)

  • Fossilized Dewdrops, Op. 51 No. 3 [Kivistunud kastepiisad op. 51 nr. 3] (1983)

21st Century (2000–present, chronologically)

Magnus Lindberg (b. 1958)

  • Étude No. 1 (2001)

  • Étude No. 2 (2004)

Jörg Widmann (b. 1973)

  • Toccata (2002)

Tõnu Kõrvits (b. 1969)

  • “Singing over the Sea” from the cycle Pictures of Thule [“Laulan üle merede” tsüklist “Thule pildid”] (2006)

Helena Tulve (b. 1973)

  • It's Evening, Light Becomes More Transparent and the Rain Seems to Cease [On õhtu, valgus muutub läbipaistvamaks ja sadu näib lakkavat] (2007)

Riine Pajusaar (b. 1961)

  • Näkid mürgeldavad [The Nymphs are Frolicking] (2010)

Vidmantas Bartulis (1954–2020)

  • "Hanami" (Japanese traditional custom of enjoying the transient beauty of flowers) (2018)

Leopold Brauneiss (b. 1961)

  • Two Preludes (2019)

Pärt Uusberg (b. 1986)

  • Milky Way - a Path of Souls I [Hingelinnutee I] (2019)

Ari Romppanen (b. 1974)

  • Kiku (2020)

Rein Rannap (b. 1953)

  • Cloud Castles [Pilvelossid] (2020)

Karol Beffa (b. 1973)

  • Night and Day (2025)

Alireza Farajianhamedani (b. 1993)

  • Indolent Boredom of the Heaviest Lightness (2026)

Liisa Hõbepappel (b. 1994)

  • LOG (2026)

Chamber Music

Classical (1750–1820)

Joseph Haydn (1732–1809)

  • Piano Trio Op. 27 No. 3 in E-flat major, Hob.XV:10

Wolfgang Amadeus Mozart (1756–1791)

  • Violin Sonata No. 18 in G major K. 301/293a

  • Kegelstadt Trio in E-flat major, K. 498 (clarinet, viola, piano)

  • Sonata for Two Pianos in D major, K. 448/375a

Ludwig van Beethoven (1770–1827)

  • Piano Trio No. 3, Op. 1 No. 3 in C minor

  • Piano Trio No. 4, Op. 11 in B-flat major

  • Piano Trio No. 7, Op.97 in B-flat major, “Archduke”

  • 7 Variations on ‘Bei Männern, welche Liebe fühlen’, WoO 46 in F major (Cello, Piano)

  • Cello Sonata No. 3 in A major, Op. 69

Romantic (1800–1910)

Felix Mendelssohn (1809–1847)

  • Clarinet Sonata in E-flat major, Op. 79

  • Konzertstück No.1, Op.113 (2 Clarinets, Piano)

  • Konzertstück No.2, Op.114 (2 Clarinets, Piano)

  • Viola Sonata in F minor, Op. 14

  • Piano Trio in D minor, Op. 49

Franz Schubert (1797–1828)

  • Sonatine No. 1 in D major, D. 384 (Violin, Piano)

  • Fantasy in C major, D. 934 (Violin, Piano)

  • Arpeggione Sonata in A minor, D. 821 (Cello, Piano)

  • Piano Trio No. 2 in E-flat major, D. 929

  • Trout Quintet in A major, D. 667 (1819) (Piano, Violin, Viola, Cello, Double Bass)

  • Winterreise, D. 911 (Der Lindenbaum, Gute Nacht, Leiermann) (1827) (Voice, Piano)

  • Gretchen am Spinnrade, D. 118 (1814) (Voice, Piano)

Robert Schumann (1810–1856)

  • Romances, Op. 94 No. 1 (Oboe, Piano)

  • Fantasy Pieces, Op. 73 (Clarinet, Piano)

  • Piano Quartet in E-flat major, Op. 47 (Piano, Violin, Viola, Cello)

  • Märchenerzählungen, Op. 132 (Clarinet, Piano, Violin, Cello)

  • Frauenliebe und Leben, Op. 42 (Voice, Piano)

  • Dichterliebe, Op. 48 (Voice, Piano)

Clara Schumann (1819–1896)

  • Three Romances for Violin and Piano, Op. 22

Johannes Brahms (1833–1897)

  • Violin Sonata No. 2 in A major, Op. 100

Max Bruch (1838–1920)

  • Eight Pieces for Clarinet, Violin, and Piano Op. 83 Nos. VII & VIII

Frédéric Chopin (1810–1849)

  • Introduction and Polonaise Brillante in C major, Op. 3 (Cello, Piano)

Pyotr Ilyich Tchaikovsky (1840–1893)

  • 12 Pieces from “The Seasons,” Op. 37a (arranged for Piano Duo)

Edvard Grieg (1843–1907)

  • Cello Sonata in A minor, Op. 36

Carl Nielsen (1865–1931)

  • Fantasy Pieces for Oboe and Piano, Op. 2

French / Impressionistic (1870–1920)

Louise Farrenc (1804–1875)

  • Piano Quintet No. 1 in A minor, Op. 30

César Franck (1822–1890)

  • Piano Quintet in F minor, Op. 47

Camille Saint-Saëns (1835–1921)

  • Carnival of Animals, Op. 20  (For Piano Duo and Large Ensemble)

  • Sonata for Cello and Piano No. 1 in C minor, Op. 32

Gabriel Fauré (1845–1924)

  • Sicilienne, Op. 78 (Oboe, Piano)

  • Élégie in C minor, Op. 24 (Cello, Piano)

Claude Debussy (1862–1918)

  • Cello Sonata in D minor, L. 135

Darius Milhaud (1892–1974)

  • Scaramouche, Op. 165b (saxophone (or clarinet) and piano)

Francis Poulenc (1899-1963)

  • Clarinet sonata, FP 184

  • The Trio pour hautbois, basson et piano FP 43 (Oboe, Bassoon, Piano)

20th Century (1900–2000 by countries)

Russian

Sergei Rachmaninov (1873–1943)

  • Trio No. 1 in G minor, Op. 32

Igor Stravinsky (1882–1971)

  • Suite Italienne for Cello and Piano, Op. 45

Sergei Prokofiev (1891-1953)

  • Love for Three Oranges, Op. 33: March (Arr. Rostropovich for Cello & Piano)

Dmitri Shostakovich (1906–1975)

  • Piano Trio No. 2 in E minor, Op. 67

  • Piano Quintet in G minor, Op. 57

Czech

Antonín Dvořák (1841—1904)

  • Bagatelles, Op.47 (2 Violins, Cello, Harmonium or Piano)

Bohuslav Martinů (1890–1959)

  • Clarinet Sonatina, H. 256

  • Variations sur un thème Slovaque, H. 378 (Cello, Piano)

Hungarian

Zoltán Kodály (1882–1967)

  • 7 Epigrams For Double Bass And Piano (1910-1918)

György Kurtág (b. 1926)

  • Játékok (Piano Duo)

Austrian

Anton Webern

  • 3 small pieces for cello and piano, op. 11 (1914)

Argentinian

Astor Piazzolla (1921–1992)

  • Winter for Piano Trio

  • Spring for Piano Trio

Latvian

Tālivaldis Ķeniņš (1919–2008)

  • Piano Quartet No. 1 (1956)

Pēteris Vasks (b. 1946)

  • Lonely Angel for Piano Trio (1999)

Estonian

Eino Tamberg (1930–2010)

  • Music for Oboe (Aria and Sonatina), Op. 22 (1971)

Jaan Rääts (1932–2020)

  • Piano Trio Op. 17 No. 2 in E-flat major

Arvo Pärt (b. 1935)

  • Spiegel im Spiegel (Violin (or Cello), Piano)

  • Fratres (Violin (or Cello), Piano)

  • Mozart Adagio (Violin, Cello, Piano)

  • Scala Chromatica (Violin, Cello, Piano)

  • Vater Unser (Voice, Piano)

  • Estonian Lullaby (Voice, Piano)

  • Christmas Lullaby (Voice, Piano)

21st Century (2000–present, chronologically)

Mattisen-Rannaääre

  • La Forza (2020) (Marimba, Piano)

Brahms-Rannaääre-Liiv

  • Hungarian Rhapsody No. 5 (2020) (Bass, Percussion, Piano)

Shaun Choo (b. 1991)

  • Fiestravaganza (2015) (Piano Duo)

Erkki-Sven Tüür (b. 1959)

  • Lichttürme, Piano Trio (2017)

Igor Jaćimović (b. 1995)

  • E Poi Vinse Il Sogno (2022) (Large Ensemble)

Toivo Tulev (b. 1958)

  • And I Loved You Like a Branch Breaking Under the Snow (2021) (Large ensemble)

  • White House, Blue Shutters – Blue House, White Shutters (2020) (Large ensemble)

  • Beloved (2023) (Large ensemble)